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21 maio 2015, Artigo
Form and Deformation in Two Late-Romantic Italian Piano Concerti
For the full text of this article, please visit the Mosaic Journal website at http://gsa.buffalo.edu/MUGSA/mosaicjournal/vol3/dipaolo/dipaolo.html Abstract: In their groundbreaking treatment of 18th-century sonata types, James Hepokoski and Warren Darcy discuss normative High Classical concerto designs in detail; however, they say very little about the Romantic-era concerto. They do briefly mention that through the 19th century, the concerto type (their Type 5) gradually merges with the ...
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