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21 Mai 2015, News
More Fall 2010 News
11/8/2010 - Two of Nicole's settings of poems by Alex Posey, Nature's Blessings and A Vision (2006), were performed at Dr. Kirsten Kunkle's faculty recital at Lincoln University (PA). 10/15/2010 - The Scherzo from Nicole's Suite for Two Pianos (2008) was featured at Indiana University's annual Graduate Theory Association recital (Nicole DiPaolo and Jason Jedlicka, piano), at which she also gave a solo performance of Rachmaninoff's Etude-Tableau in D major, op. 39 no. 9 .
21 Mai 2015, News
Summer and Fall 2010 Happenings
9/1/2010 - Nicole has begun serving as a class accompanist for Indiana University's Pre-College Ballet Program, in addition to serving as a vocal and instrumental accompanist for select School of Music students. 8/1/2010 - Nicole's most recent composition project, Five Miniatures for Flute and Violoncello , received a partial premiere at Indiana University's Jacobs School of Music (Auer Hall), with Jessica Banks, flute, and Eric Allen, violoncello. View the concert program here. (PDF)
21 Mai 2015, News
More Spring 2010 News
3/2010 Introduction and Variations , a work for violoncello and piano commissioned by cellist Alana Bennett, was premiered this spring at Indiana University's Jacobs School of Music (Alana Bennett, cello; Nicole DiPaolo, piano). 2/11-2/13/10 - Nicole's viola duo Three Episodes was selected to be performed at Ball State University 's annual New Music Festival (Muncie, IN). It was performed by Profs. Philip Tietze and Eleanor Trawick, violas, on February 13, 2010.
21 Mai 2015, News
Fall 2009-Winter 2010 Premieres
1/25/10 - Nicole's song cycle Reflections and Musings was premiered by Asst. Professor Kirsten Kunkle (soprano) and Jerico Vasquez (piano) at Shorter College (Rome, GA). View the announcement on Shorter College's 09-10 calendar here. (PDF) 10/20/09 - Viri Galilaei (SATB choir acapella) was premiered at Indiana University's Jacobs School of Music with Gregory Geehern conducting. View the concert program here. (PDF)
21 Mai 2015, Artikel
Form and Deformation in Two Late-Romantic Italian Piano Concerti
For the full text of this article, please visit the Mosaic Journal website at http://gsa.buffalo.edu/MUGSA/mosaicjournal/vol3/dipaolo/dipaolo.html Abstract: In their groundbreaking treatment of 18th-century sonata types, James Hepokoski and Warren Darcy discuss normative High Classical concerto designs in detail; however, they say very little about the Romantic-era concerto. They do briefly mention that through the 19th century, the concerto type (their Type 5) gradually merges with the ...
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