Nicole DiPaolo (ASCAP) Blog

novidades 35

Artigos 9

21 maio 2015, Notícias
Summer and Fall 2010 Happenings: 9/1/2010 - Nicole has begun serving as a class accompanist for Indiana University's Pre-College Ballet Program, in addition to serving as a vocal and instrumental accompanist for select School of Music students. 8/1/2010 - Nicole's most recent composition project, Five Miniatures for Flute and Violoncello , received a partial premiere at Indiana University's Jacobs School of Music (Auer Hall), with Jessica Banks, flute, and Eric Allen, violoncello. View the concert program here. (PDF); 21 maio 2015, Notícias
More Spring 2010 News: 3/2010 Introduction and Variations , a work for violoncello and piano commissioned by cellist Alana Bennett, was premiered this spring at Indiana University's Jacobs School of Music (Alana Bennett, cello; Nicole DiPaolo, piano). 2/11-2/13/10 - Nicole's viola duo Three Episodes was selected to be performed at Ball State University 's annual New Music Festival (Muncie, IN). It was performed by Profs. Philip Tietze and Eleanor Trawick, violas, on February 13, 2010.; 21 maio 2015, Notícias
Fall 2009-Winter 2010 Premieres: 1/25/10 - Nicole's song cycle Reflections and Musings was premiered by Asst. Professor Kirsten Kunkle (soprano) and Jerico Vasquez (piano) at Shorter College (Rome, GA). View the announcement on Shorter College's 09-10 calendar here. (PDF) 10/20/09 - Viri Galilaei (SATB choir acapella) was premiered at Indiana University's Jacobs School of Music with Gregory Geehern conducting. View the concert program here. (PDF); 21 maio 2015, Artigo
Form and Deformation in Two Late-Romantic Italian Piano Concerti: For the full text of this article, please visit the Mosaic Journal website at http://gsa.buffalo.edu/MUGSA/mosaicjournal/vol3/dipaolo/dipaolo.html Abstract: In their groundbreaking treatment of 18th-century sonata types, James Hepokoski and Warren Darcy discuss normative High Classical concerto designs in detail; however, they say very little about the Romantic-era concerto. They do briefly mention that through the 19th century, the concerto type (their Type 5) gradually merges with the ...

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